Zen

The Wayfarer: The Empty Chair

Posted on by SomatiCat

On life, death, and the illusion in between.

The Wayfarer walked into a grassland with no beginning and no end. Brown leaves rustled as he walked through the knee-high grasses. It was like autumn before winter, stood still for eternity. The sky was gray, with no sun in sight. He couldn’t tell the time of day.

Like scattered drops of rain striking the surface of dried mud, he saw green spots far apart in the distance. They were trees, still alive. The brown grassland was sparsely marked with droplets of green.

The Wayfarer walked toward one of the trees, and he saw a man sitting under it. He looked as old as the grassland. His skin was dry, like the leaves of the grasses, almost peeling away from him.

“Hello,” the Wayfarer said.

The man did not move. His gaze was set toward the far end of the grassland, which seemed never to end. The tree was quiet. No birds nested in it. It simply stood there, without even casting a shadow on the earth.

Leaving the old man behind, he kept walking toward another tree far ahead. No insects leaped from the grasses. Only the sound of rustling leaves could be heard as he walked through them.

Under the second tree, the Wayfarer found a younger man sitting as well.

“Hello,” he said.

The man did not even look at him. He looked like a soldier after a defeated battle. Caked mud covered his legs, and his face was stained with soot. His gaze, too, was set toward the far end of the grassland.

The trees were far apart. Whenever he saw a faint green dot in the sea of grasses, like an island in a desert, he walked toward it, unhurried and steady. One after another, he saw a person, young or old, sitting under a tree, all gazing far away from here, into the beyond, in silence and stillness. He did not know how many trees he visited. He did not know how long he had been walking.

The Wayfarer came upon another tree and stopped in his tracks. After so many occupied chairs, all frozen in time, an absence felt like thunder in the silent sky. The chair was empty. Had the person who sat there just left? he wondered. Was it the beginning or the end? Then he noticed a beautiful mandala on the ground beneath the tree, glimmering and shimmering with many colors.

He suddenly felt tired and sat in the chair, his gaze set on the faraway horizon. Then he noticed a spider lowering itself from a branch on a strand of silk. As the Wayfarer watched, it spun its web between the branches. The intricate web overlapped his view of the never-ending grassland, and he did not know whether he was staring at the end or the beginning.

A butterfly came dancing on iridescent wings. It was like a light in the bleak landscape. Then it was caught in the spider’s web. The last fluttering of its wings sent waves through the silk. Another butterfly came and was trapped, and another. The spider wrapped them in silk, and their wings were torn free and fell to the ground like cherry blossom petals, glimmering and shimmering.

The Wayfarer realized that the mandala was made of thousands of butterfly wings, lives caught in the web and fallen there. It had been repeated from the beginning of time into its never-ending present.

He looked back to where he had come from and found that his tracks, too, had formed a spider’s web.

©2026 JU

Grandma’s Tree

Posted on by SomatiCat

There was a grandmother who had no grandchildren. She loved woods and forests and traveled all over the world. When she was younger, she went abroad in search of unusual trees in strange forests, in strange countries.

When she got a little older, she could no longer endure the cold of Iceland in winter or the boiling heat of India in summer. So she began to look for trees in her own country. She went to the Green Mountains, the White Mountains, the Blue Mountains, the Red Mountains, the Yellow Mountains—name any mountains in this country, and she had been there. Not only mountains, but swamps and bayous in the South, to see cypress trees with Spanish moss hanging from their branches. She took pictures of trees and drew maps so she could visit them again.

When she got older, she could no longer fly across the country or drive over the great plains. So she began to visit mountains and forests nearby. She drove to national parks and forests in the region and walked the trails until she found a tree that quietly drew her in. She still took pictures and made maps. The walls of her house were covered with trees.

When she got older and could no longer drive, her nephews and nieces took turns bringing her to the lake, where she sat in a chair and looked at the forest beyond.

Finally, she became too old to travel and sat in a wheelchair. The children of her nephews and nieces sometimes pushed her to a nearby park. She no longer took pictures or drew maps. She simply sat under a tree and spent one or two hours looking at the trees.

One of her nephews understood why she had traveled all over the world taking pictures of trees. She had never told anyone, but to the boy it was obvious. She had been searching for a tree to die under, so that her spirit could enter the tree and live on.

He was eager to know which tree it would be. Whenever he visited her house, he studied the photographs on the walls. Was it that grand sequoia, or that mighty oak? Or the bristlecone pine in the desert? He promised himself that whatever tree she chose, he would take her there. He would bring her back to it.

Whenever he asked her, she only smiled and said, “I will let you know when the time comes.”

The grandmother grew older still, until she could no longer leave her bed. She still had not told the boy which tree she had chosen, and he began to worry she would not be able to make the journey.

Then one morning, the time came.

She called the boy and asked him to take her to the backyard.

There stood a tree with nothing particular about it. In fact, no one had really noticed it before. It was not young, nor old. It was simply a tree no one paid attention to. The boy pushed her wheelchair to it. She stayed there for a while and died quietly.

The boy could not understand why she had chosen this ordinary tree. Even if she could not travel far, there were still many dignified trees in the nearby forest that would have suited her better. He had promised to take her anywhere. And after thousands of photographs of thousands of trees all over the world, she had chosen this unmarked tree in her own backyard—a tree she had never once taken a picture of.

After her funeral, the boy entered his grandmother’s room. He took the photographs down from the wall one by one. On the back of each photo, the name of the tree, the date, and the place were carefully written—except for one.

It was a picture of an unremarkable tree in a deep and remarkable forest.

On the back it only read:

Kiquawa tree.

No place. No date.

“I will find it,” the boy said. “I will visit them all and find that tree. Then I will understand why.”

Author’s note: This story is about a lifelong search that slowly turns inward. The grandmother’s journey is a necessary wandering until the difference between one tree and another begins to dissolve. It’s the search of identity, which is only found in yourself and each person needs their own journey.

© 1994

Kiquawa Tree

Posted on by SomatiCat

When heaven slept, dreaming a dream of a thousand rivers in the sky, its only child crawled out of the cradle of wind, crawled to the edge of the cloud, and fell to the earth.The wingless child fell without a wail, and died.

When heaven lost its only child, the first drop of its tear fell upon a Kiquawa tree on a hill. Then it turned into rain that would never end. It rained and rained upon all the creatures of the earth. Day turned into night, and the earth turned into the sea, at the bottom of which the drowned forest stood silently, like a wingless bird without a singing voice.

The Kiquawa tree on the hill looked down upon the earth and up toward the sky, and asked heaven not to let its tears flood the world.Heaven said,

How can you tell me not to cry? I have lost my only child. My child fell to the earth. The earth engulfed my wingless child and did not give it back. I look down and see the earth full of beings, yet none are mine. My tears will never cease, until all the earth lies beneath the sea of my sorrow, as silent as the starless night of the sky.

The Kiquawa tree said,

Then let me bear your child. I will take in your tears and nurse the child with them. I will give my limbs for its bones. Your tears will be its blood, and its flesh will grow. When it grows, it will worship you from the earth. You will have forests full of children to look upon you.

After one hundred sixty-eight days and nights, the rain quietly ceased. Half of the night turned into day, and the Kiquawa tree bore a child. It suckled tears from the earth. The earth grew dry, and birds began to sing.Then another Kiquawa tree bore another child, who suckled more tears from the earth. Gradually, half of the sea returned to land, and the forest was filled with children of the Kiquawa trees.

When the wingless children grew, they admired heaven, whose tears had become their blood. When a child died upon the earth, it was buried beneath a Kiquawa tree. Its bones returned to the tree, and the tree drank its blood and returned it to heaven as morning mist. Somewhere in the forest, another Kiquawa tree would bear another child.

Still, from time to time, heaven silently sheds tears for the only child it lost long ago.

© 1996 J.U.

Author’s note:

This story is a myth of grief that cannot be undone. What is lost is not recovered, but transformed. Through the body and the earth, sorrow becomes life again.

Of course, the images are AI generated.

The story you tell about them might not be their real story

Posted on by Juno Üjiié

We were standing in the lab, looking at three cadavers on dissection tables. As workshop participants, we were to choose a body to work on.

One was a slender woman with unnaturally perky breasts. Her nails were impeccably manicured, her hair full and glossy. She was beautiful.

Another was a heavily boned woman with a muscular build. “She must have been an avid hiker,” someone said.

The third was a woman of significant size.

She looked exactly like a good friend I had—someone who suffered from psychological and mental health issues and who had steadily gained weight until she was nearly immobile.

I felt a pang of sadness when I saw her body on the dissection table, and I experienced a slight aversion to standing at her station. No, I didn’t want to dissect her. I already knew it would be physically harder to remove her superficial fascia.

And yet, somehow, I ended up at her table.

As I began releasing her from the bounds of skin, I couldn’t help but project. I imagined the subcutaneous adipose tissue as emotional baggage she had accumulated over a lifetime, or maybe as a thick armor she wore to shield her psyche from the outside world. Under the tremendous weight, it felt like she had been collapsing inward.

The layer of superficial fascia we freed from her dermis was sizable—just as she had been with her skin on. We began removing the adipose tissue, as if freeing her from the tortured existence of living in a large body. It was hard work. The layer was easily three inches thick in her midsection.

As I worked, I thought about all the nerve endings embedded in that adipose tissue. She probably had ten times more nerve length than I do. This was a hypersentient state of being.

And then, beneath the adipose, her muscular structure appeared—and we were all astounded.

What had been hidden under that armor of fascia was not a collapsed, atrophied frame. She was robust. I had never seen an elderly female cadaver with such powerful muscles. Her legs were so strong she looked like she could’ve squeezed the life out of a big, bad cowboy. Her gracilis was not slender at all; it was substantial. None of us had ever seen gracilis muscles like that.

Her musculature had supported the weight of her adipose armor. She had the body of an Amazon warrior. There was no trace of wasting. She must have remained mobile and active until quite recently, carrying her physical existence bravely.

Internally, too, she was robust.

Her organs were intact. No calcified arteries, no arteriosclerosis. Her colon was six feet long, padded with a healthy amount of visceral fat. No fatty liver. No damaged kidneys. No fibrosis in the uterus. Her heart was beautiful. Her lungs were slightly darkened, but free of adhesions.

She was healthy.
Much healthier than I am.

The slender, model-like woman, on the other hand, had gone through hell. Once her skin and minimal adipose were removed, her body appeared almost transparent. Cancer had riddled her form—metastatic, likely starting from the breast. A chemotherapy port protruded from her chest.

She was a fighter, too.

I find myself reflecting on my projections.

You can’t tell who someone is just by looking from the outside.
The story you tell about them might not be their real story.

Multiverse Madness

Posted on by SomatiCat

You may have heard the famous Eastern philosophical parable about a man who dreams he is a butterfly, only to awaken and wonder: is he a man who dreamed he was a butterfly, or a butterfly now dreaming he is a man?

Doctor Strange in the Multiverse of Madness reminded me of that parable. In the film, dreams are portrayed as stories unfolding in alternate universes. Interestingly, the only person who can travel through the multiverse is the one who has never dreamed.

Have you ever had the same dream over and over? Not exactly the same, but different variations on a single theme? I used to have dreams like that.

One of the recurring dreams I had after a messy divorce was about my ex-husband. In those dreams, he had remarried and had a daughter and a son. They were some of my worst nightmares. He had cheated on me while I was undergoing infertility treatment, and by the time we divorced, I was too old to conceive. I had lost my chance to become a mother.

I dreamed this scenario again and again. The emotional anguish felt so real, it lingered even after I woke up. His betrayal stained the landscape of my inner world with grief and suffering. In waking life, I felt mostly anger—but underneath it, I carried a deep well of loss and sorrow.

In these dreams, I always lived in some kind of apartment. Each one felt strangely familiar. Sometimes I would find myself in the exact same apartment I had dreamed of before—with the same landscaping outside, the same scent in the air, the same humidity in the walls. I knew that place.

It’s been twenty-five years since the divorce, and I’ve finally stopped having that dream. Still, it feels as if I once lived in that apartment—in this life.

Then I began to wonder: maybe that was my life in an alternate universe. It’s about the inner choices we make—who we decide to become. Every decision spins off another timeline, another universe where a different version of you lives out the consequences of that choice.

If I had clung to the anger and suffering, maybe that nightmare would have been my reality.

These days, I rarely dream. Maybe my life has finally settled into this reality.

P.S. My ex-husband did remarry, but he never had kids. As for me, I’ve made peace with the fact that motherhood and I were probably never meant to be. Crisis averted—for the children.

Do I want to see tomorrow?

Posted on by SomatiCat

I lost my anchor.

My dog was my tether to reality, to this life. He was undeniably real. He lived entirely in the moment. When I woke in the middle of the night, lost in the vast nothingness—confusion and darkness pressing in—I would reach out and place my hand on him. He was warm, solid, breathing. Alive. And in his version of reality, if he was alive, then so was I. I felt safe in the world he held for me. It was as if I were drifting in a night ocean of existential anxiety, and he was my life raft.

With his passing, I lost my favorite version of reality.

I don’t have to protect anyone. I don’t have to take care of anyone. I don’t have anyone to come home to. I don’t have to worry about losing him anymore.

What remains is my own version of reality.

Every morning, I wake up and start my routine. I make coffee, brush my teeth, check emails. I function well. I smile. I chat with neighbors. I act normal. But I am not here. I’m floating an inch above the ground, like a plastic bag caught in the wind, weightless and directionless.

Once in a while, I do feel real. On a recent trip, I went to a shooting range and practiced pistol shooting for the first time. In that moment, I was completely focused. The weight of the gun in my hands, the shock waves reverberating through my body, the hot shells grazing my skin—burning, tangible—I felt alive. For that brief moment, the act of shooting was my anchor. (Don’t worry, I won’t shoot any living being, including myself.)

Then I came home, and my fragmented reality returned.

Fortunately, I can hold it together. I don’t have the affliction my cousin does—the one that warps reality beyond repair. I can pretend. I can fit in. I just don’t feel alive.

So I go to the gym. I work out on one of those torture machines. The intense contraction in my quads pulls me back into my body, back into the present.

Do I want to see tomorrow?

I don’t know.

But I want to be here now. In my body.

Dead and Naked

Posted on by SomatiCat

At Fort Lauderdale Airport, there was a long line for baggage check-in and security screening. As a hub for cruise travelers, the airport gets especially busy at certain times of the day. I stood in line for over an hour.

Airport staff maneuvered wheelchair-bound passengers through the crowd, one after another, weaving between the lines. Most of the people waiting were elderly—older than me, likely returning home from their first or perhaps their last cruise.

A month ago, I lost my 13-year-old dog. Since then, every time I see someone walking a dog, I’m struck by a strange feeling—a bittersweet sadness, like a drop of water hitting the surface of a lake, sending ripples outward until they fade into the distance. The pain of loss is universal, something we all share. Every person here will, at some point, feel what I feel now—the grief of losing a beloved companion.

I looked around and imagined cadavers on dissection tables, standing in line now—dead and naked. Sooner or later, we all end up there, in one way or another. We share the same destination. I am among them.

Is that a relief? Perhaps. At the very least, the vision freed me, if only for a moment, from the vulnerability of being.

First Cut: the Fragile Threshold between Life and Death

Posted on by SomatiCat

I recently sent my beloved dog, Simon, across the rainbow bridge. With the injection of a tranquilizer, he was asleep but alive. The moment the last injection was administrated, his being shifted. It was obvious that he was no longer there. What remained was just a body–a form of my beloved dog. It was no longer Simon. I left his form with the vet for cremation.

I might have a different reaction to human forms. I witnessed my grandmother’s death. Her heart was medically kept beating until her son arrived to witness her ultimate crossing. I stayed with her body overnight as a part of the Buddhist ritual of wake. Since then, I have experienced three more death in my family. In my old country, family members of the deceased accompany the body to the crematorium and wait for it to become bones. We pick up pieces of the bones with long chopsticks to place them in a small urn. For family members the death is not considered complete until this ritual is performed.

Whether it was Simon’s peaceful passing, my grandmother’s ritualized journey to ashes, or the cadaver I stand before, each moment reminds me of the fragile threshold between life and death–how quickly being gives way to form.

Standing at the dissection table, holding a scalpel with a fresh blade, most first-time dissectors hesitate to make the first cut. I did. Unless you are a surgeon, or other specific medical professional, you have not intentionally cut another person’s skin. A cadaver with the skin intact is closed off from and protected against the outside world. However vulnerable it may look, it maintains its integrity as a whole human being. The hesitancy comes from the violation of the personal boundary that the skin represents—the ultimate “Authorized Personnel Only” sign. It is the line of demarcation between the dead and the living. I still remember my first cut. It was on a cadaver named “Tony.”  I watched other experienced dissectors make their first cuts, then followed nervously, as if I might be reprimanded for my act of violation. The tip of the scalpel scratched the surface, creating a paper-cut thin, shallow pale line. No blood. With a little more pressure, the skin/dermis began to separate. The surface tension that had kept the entire body whole lost its hold, and the boundary broke. The cadaver opened itself up to the dissectors. I crossed the boundary.  After that, in my perception, it was not a person but a human form in which a person used to reside. A cadaver has no boundary, though deserves due respect.  With a long incision in the skin, I felt as if the human form released all the tension with a sigh of relief, saying, “It’s over. No more need to hold this form.”

You have only one chance to experience the first cut. So better be mindful.

copyright 2025

Is it how normal people are feeling?

Posted on by SomatiCat

I sent my beloved dog across the rainbow bridge one month ago, and I’ve been depressed ever since. I still cry and feel his absence deeply. The sharp pain and heaviness in my chest have lessened, but they’re still there.

I go out every day—talking to neighbors, having lunch with friends, attending events I’m invited to, and spending hours at the gym. I’ve been working out daily.

Without the need to walk my 80+ pound dog three times a day, I suddenly have more uninterrupted time. I’ve been channeling that into my writing project, which is progressing well.

I also have two trips planned, something that would’ve been impossible when I was caring for a 13-year-old large dog. I’m doing everything I can to avoid spending days in bed, mindlessly watching Netflix all day and night. I’ve been there before. I know how it happens, and I know how to prevent it.

At the same time, multiple changes have happened in my life—not particularly happy ones.

From the outside, I probably look fine. I’m functioning well. But I’m not okay. I don’t feel alive.

Even when I laugh, enjoy conversations with friends, or run on a treadmill for an hour, I feel… hollow. Like a cow, grazing mindlessly on grass, waiting to be slaughtered, unaware of its fate.

And I ask myself: Am I depressed? Or is this just how most people feel, going through the motions of everyday life?

On Facebook, everyone presents their happy, vibrant lives. But are they really alive, or do they just think they are?

As the old Chinese parable says: Am I a monk dreaming of being a butterfly, or a butterfly dreaming of being a monk?

Touch: Your Brain’s Interpretation

Posted on by SomatiCat

Even though the sensory receptors in the skin are mechanoreceptors, it is your brain that interprets the signals they send. Since the brain remembers past experiences and the emotions associated with them, touch is never merely a  touch. Even the same mechanical touch can be felt differently—it can be loving, caring, comforting, or healing; sensual or sexual; cold, abusive or invasive. Even when you think your touch is neutral, it’s up to the receiver’s brain to interpret it.

When I was in my late thirties, I went through infertility treatment. To check if my fallopian tubes were open, I underwent a very uncomfortable test. The pressure I felt inside my body was so invasive that I instinctively contracted my entire body, bracing myself. Then the technician’s assistant gently placed her hand on my arm. I melted. Her touch was neutral, and I don’t think she was consciously trying to comfort me. I felt it came from her spontaneous empathy. 

I have Meniere’s disease. One day, I had a Meniere’s attack in a gross anatomy lab and had to lie on a cold linoleum floor for some time, clutching a barf bag. I told everybody that nothing could be done to relieve my suffering and asked them to keep me safe and leave me alone until the symptoms resolved. I threw up in the bag and was hyperventilating in a fetal position. Some people can’t tolerate witnessing suffering without doing anything; it might make them feel powerless. A few of them placed their hands on me, perhaps to soothe or heal. I just had to endure the unwanted touch. They were mechanically the same kind of touch, but my brain interpreted them differently. One was comforting and the other was annoying.

As a child, I experienced improper touches, which were a violation of boundaries. This experience made me sensitive to the intent behind a touch. I don’t remember receiving loving touches from adults in my family during my childhood. My nervous system used to react to every touch as if it were a danger. Sometimes, a touch triggered tremendous rage, while other times, it made me feel nauseous. It took me a long time to learn to discern a safe touch from an unwanted one. I’ve learned to set boundaries and to choose how to respond, not just to react. 

copyright 2024